Hastası Olduğum Film Sahneleri

Süleyman hocam beni mimlemiş, ben kaçırmışım zaten konu o kadar güzel ki o mimlemese bile ben kendime yamayacaktım bu mimi.

İlk Sahne, favori filmimden geliyor.

Fight Club - Veteriner olmak isteyen kasiyer,

Tyler, bir süpermarkete girer kasiyeri silah zoru ile dışarı çıkartır ve cüzdanını alır, sonra aşağıdaki diyalog gelişir. Özetle Tyler bir kasiyerin kafasına silahını dayar ve kasiyerlik yerine önceden ne olmak istediğini sorari. Ve eğer 6 hafta içerisinde olmak istediği şey için çalışmıyorsa geri dönüp onu öldüreceğini söyler. İşte hayatınız üzerinde gerçek bir etkisi olması gereken bir film sahnesi. Bu kadar zekice ve yalın.

TYLER : What did you wanted to be, Raymond K. Hessel?
TYLER : The question, Raymond, is what did you want to be?
KASIYER :  Veterinarian! Veterinarian!
TYLER : Animals.
KASIYER : Yeah, animals and s-s-s....
TYLER : --Stuff, yeah I got that. That means you have to get more schooling.
KASIYER : Too much school.
TYLER : Would you rather be dead? Would you rather die? Here? On your knees? In the back of a convenient shop?
KASIYER : Nooo!
Tyler silahını indirir.
TYLER : I'm keeping your license. I'm going to check on you. I know where you live. If you aren't back in school and on your way to being a veterinarian in six weeks, you will be dead. Now run on home.
Kasiyer koşmaya başlar, Tyler arkasından bağırır...
TYLER : Run, Forrest, run!

 

8mm, Çünkü yapabiliyor,

8mm, Nicholas Cage' in başrolde olduğu süper bir filmdir. Filmin sonunda dedektif olaya açığa kavuşturur ve adam bir insanın neden böyle bir şey yaptığını sorar. Cevap basittir "Çünkü yapabiliyor.". Para, doyumsuzluk ve neden üzerine inanılmaz bir noktadır. Aynı filmde diğer bir dikkat çekici sahne ise kızı öldüren "makina" isimli adamın sadece zevk için bunu yaptığını anlattığı kısımdır.

WELLES : A man like Mr. Christian, a great man... all his money, all his power... a man who attained everything there was to attain... Why did he buy a film of some poor,lost girl getting butchered?
LONGDALE : Isn't it incredibly obvious?
WELLES : Enlighten me.
LONGDALE : Because he could.  He did it because he could. What other reason were you looking for?

Kapıcılar Kralı - Sen de ...

Kapıcılar Kralında iki inanılmaz sahne vardı, birincisi çocuklardan biri lolipop ister, cevap :

  • Lopilop mu büyüdünüz lan eşşeoğleşşekler,

İkincisi ise gerçekten mükemmeldir, anlatılacak gibi değil izlemek lazım. Küfür vs. gibi şeylere gülmem genelde salak gelir bana ama bu inanılmaz bir performans. Buradaki videonun 1:40' ında başlayan kapıcı ile karısı arasındaki diyalog(!) süperdir. Kemal Sunal filmlerin bir büyüse var herhalde, iki olayda gayet basit ancak özellikle ikincisi yıllarca güldüğüm bie sahnedir, oradaki ses tonu, mimiği ifade edilemez şekilde iyidir.

Bu kadar. Aslında çok fazla film izleyen biri olmama rağmen bunlardan başka pek aklıma gelen kayda değer bir şey yok. Serbest mim uygulamasına devam, ek olarak siteye yazamam üşeniyorum ya da blogum yok diyorsanız yorumlara da yazabilirsiniz.

Oz - 01.07.2008

True Romance filminde patronunun uyusturucu paketlerinin yerini ögrenmek için gelen Vincenzo Cocotti (Christopher Walken) ile paketleri çalan Clarence'in babasi Whorley (Dennis Hopper) arasinda geçen o muhtesem diyalog:

COCCOTTI
Do you know who I am, Mr. Worley?

CLIFF
I give up. Who are you?

COCCOTTI
I'm the Anti-Christ. You get me in a vendetta kind of mood, you will tell
the angels in heaven that you had never seen pure evil so singularly
personified as you did in the face of the man who killed you. My name is
Vincenzo Coccotti. I work as a counsel for Mr. Blue Lou Boyle, the man your
son stole from. I hear you were once a cop so I assume you've heard od us
before. Am I correct?

CLIFF
I've heard of Blue Lou Boyle.

COCCOTTI
I'm glad. Hopefully that will clear up the how-full-of-shit-I-am question
you've been asking yourself. Now, we're gonna have a little Q and A, and,
at the risk of sounding redundant, please make your answers genuine.
(taking out a pack of Chesterfields)
Want a Chesterfield?

CLIFF
No.

COCCOTTI
(as he lights up)
I have a son of my own. About you boy's age. I can imagine how painful this
must be for you. But Clarence and that bitch-whore girlfriend of his
brought this all on themselves. And I implore you not to go down the road
with 'em. You can always take comfort in the fact that you never had a
choice.

CLIFF
Look, I'd help ya if I could, but I haven't seen Clarence -

Before Cliff can finish his sentence, Coccotti slams him hard in the nose with his fist.

COCCOTTI
Smarts, don't it? Gettin' slammed in the nose fucks you all up. You got
that pain shootin' through your brain. Your eyes fill up with water. It
ain't any kind of fun. But what I have to offer you. That's as good as it's
ever gonna get, and it won't ever get that good again. We talked to your
neighbors. They saw a Mustang, a red Mustang, Clarence's red Mustang,
parked in front of your trailer yesterday. Mr. Worley, have you seen your
son?

Cliff's defeated.

CLIFF
I've seen him.

COCCOTTI
Now I can't be sure of how much of what he told you. So in the chance
you're in the dark about some of this, let me shed some light. That whore
your boy hangs around with, her pimp is an associate of mine, and I don't
just mean pimpin', in other affairs he works for me in a courier capacity.
Well, apparently, that dirty little whore found out when we're gonna do
some business, 'cause your son, the cowboy and his flame, came in the room
blastin' and didn't stop till they were pretty sure everybody was dead.

CLIFF
What are you talkin' about?

COCCOTTI
I'm talkin' about a massacre. They snatched my narcotics and hightailed it
outta there. Wouldda gotten away with it, but your son, fuckhead that he
is, left his driver's license in a dead guy's hand. A whore hiding in the
commode filled in all the blanks.

CLIFF
I don't believe you.

COCCOTTI
That's of minor importance. But what's of major fuckin' importance is that
I believe you. Where did they go?

CLIFF
On their honeymoon.

COCCOTTI
I'm gettin' angry askin' the same question a second time. Where did they
go?

CLIFF
They didn't tell me.

Coccotti looks at him.

CLIFF
Now, wait a minute and listen. I haven't seen Clarence in three years.
Yesterday he shows up here with a girl, sayin' he got married. He told me
he needed some quick cash for a honeymoon, so he asked if he could borrow
five hundred dollars. I wanted to help him out so I wrote out a check. We
went to breakfast and that's the last I saw of him. So help me God. They
never thought to tell me where they were goin'. And I never thought to ask.

Coccotti looks at him for a long moment. He then gives Virgil a look. Virgil, quick as greased lightning, grabs Cliff's hand and turns it palm up. He then whips out a butterfly knife and slices Cliff's palm open and pours Chivas Regal on the wound. Cliff screams.

Coccotti puffs on a Chesterfield.

Tooth-pic Vic returns to the trailer, and reports in Italian that there's nothing in the car.

Virgil walks into the kitchen and gets a dishtowel. Cliff holds his bleeding palm in agony. Virgil hands him the dishtowel. Cliff uses it to wrap up his hand.

COCCOTTI
Sicilians are great liars. The best in the world. I'm a Sicilian. And my
old man was the world heavyweight champion of Sicilian liars. And from
growin' up with him I learned the pantomime. Now there are seventeen
different things a guy can do when he lies to give him away. A guy has
seventeen pantomimes. A woman's got twenty, but a guy's got seventeen. And
if you know 'em like ya know your own face, they beat lie detectors to
hell. What we got here is a little game of show and tell. You don't wanna
show me nothin'. But you're tellin' me everything. Now I know you know
where they are. So tell me, before I do some damage you won't walk away
from.

The awful pain in Cliff's hand is being replaced by the awful pain in his heart. He looks deep into Coccotti's eyes.

CLIFF
Could I have one of those Chesterfields now?

COCCOTTI
Sure.

Coccotti leans over and hands him a smoke.

CLIFF
Got a match?

Cliff reaches into his pocket and pulls out a lighter.

CLIFF
Oh, don't bother. I got one.
(he lights the cigarette)
So you're a Sicilian, huh?

COCCOTTI
(intensly)
Uh-huh.

CLIFF
You know I read a lot. Especially things that have to do with history. I
find that shit fascinating. In fact, I don't know if you know this or not,
Sicilians were spawned by niggers.

All the men stop what they were doing and look at Cliff, except for Tooth-pic Vic who doesn't speak English and so isn't insulted. Coccotti can't believe what he's hearing.

COCCOTTI
Come again?

CLIFF
It's a fact. Sicilians have nigger blood pumpin' through their hearts. If
you don't believe me, look it up. You see, hundreds and hundreds of years
ago the Moors conquered Sicily. And Moors are niggers. Way back then,
Sicilians were like the wops in northern Italy. Blond hair, blue eyes. But,
once the Moors moved in there, they changed the whole country. They did so
much fuckin' with the Sicilian women, they changed the blood-line for ever,
from blond hair and blue eyes to black hair and dark skin. I find it
absolutely amazing to think that to this day, hundreds of years later,
Sicilians still carry that nigger gene. I'm just quotin' history. It's a
fact. It's written. Your ancestors were niggers. Your great, great, great,
great, great-grandmother was fucked by a nigger, and had a half-nigger kid.
That is a fact. Now tell me, am I lyin'?

Coccotti looks at him for a moment then jumps up, whips out an automatic, grabs hold of Cliff's hair, puts the barrel to his temple, and pumps three bullets through Cliff's head.

He pushes the body violently aside. Coccotti pauses. Unable to express his feelings and frustrated by the blood in his hands, he simply drops his weapon, and turns to his men.

COCCOTTI
I haven't killed anybody since 1974. Goddamn his soul to burn for eternity
in fuckin' hell for makin' me spill blood on my hands! Go to this
comedian's son's apartment and come back with somethin' that tells me where
that asshole went so I can wipe this egg off of my face and fix this
fucked-up family for good.

Tooth-pick Vic taps Frankie's shoulder and, in Italianm asks him what that was all about.

Lenny, who has been going through Cliff's refridgerator, has found a beer. When he closes the refridgerator door he finds a note held on by a ceramic banana magnet that says: "Clarence in L.A.: Dick Ritchie (number and address)".

LENNY
Boss, get ready to get happy.

TITLE CARD: "CLARENCE AND ALABAMA HIT L.A."

Jack the Ripper : Last Victim - 16.04.2008

Stansfield: I like these calm little moments before the storm. It reminds me of Beethoven. Can you hear it? It's like when you put your head to the grass and you can hear the growin' and you can hear the insects. Do you like Beethoven?
Malky: I couldn't really say.

Ferruh Mavituna - 10.04.2008

Serbest mim uygulamasinin müdavimi olarak yine mim talebi yapiyorum efendim.

Miminizin hayrini gorun, buraya da linkinizi de koyun takip edelim, okuyalim:)

manhem - 10.04.2008

Serbest mim uygulamasinin müdavimi olarak yine mim talebi yapiyorum efendim.

Ali KARA - 08.04.2008

Sanirim yaziyi yazarken Sener Sen akliniza gelmedi.:)

Süleyman SÖNMEZ - 07.04.2008

Çok sagol Ferruh, sana mimi yollarken "Yogun adamdir alir mi mimi bilmem? Ama yazsa ne güzel olur, neler çikar" demistim:)
Eglenceli bir dalga yayiliyor bloglarda.

Bence zor olmayan ve baslattigim ilk mim dalgasi:)

Cidden güzel seçimler olmus bu arada.

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